Run It Through the Box

Some of you (I hope, at least) know that we’re slowly working on putting together an album.  As our epic plight drags ever onward, we thought that maybe some of our readers might like to know exactly how it is we do what it is that we do.  Okay, so this post is really just a place for us to brag about our gear.  Deal with it.

Our Super Awesome Recording Gear:

  • Every song needs that special something.  Some call it soul, but we in VTM call it Logic Pro.  We like Logic a lot: it let’s us create just about any sound we can imagine, even ones from instruments no one has ever heard of.
  • If Logic Pro is our soul, then the TASCAM US-1800 Audio Interface is our heart.  The TASCAM was pretty much the best investment we’ve ever made and I can’t say enough good things about it.  It gives us the versatility to record however and whenever we want, without worrying about being nickel-and-dimed by a pothead with a pirated copy of Pro Tools (true story).
  • As far as microphones go, we use a Marshall MXL 9000 powered tube condenser mic for all of our vocals, which gives a great deal of clarity and fidelity–a priceless asset for those who at sing . . . uh . . . unfortunately (like Mason).  For my drums, I use Shure, Digital Reference, and a Blue Kickball mic.

The Instruments

  • Few musicians can play good music without instruments (Skrillex being a noteworthy exception) and at VTM, we aren’t tech-savvy enough to do so, so we settle for the chore of actually creating music with low-tech pieces of gear, like Mason’s semi-hollowbody Johnson (yes, I know) Delta Rose.  A relatively unimpressive piece of gear, but heavily modified and even sports a set of Seymour Duncan Jazz humbuckers.
  • As far as amps, Mason tends to play Crates–his most recent amp of choice has been a Crate DX112, one of the original digital-modeling amplifiers from the ’90′s.  He uses a Jimi Hendrix Signature Dunlop Wah Wah Pedal, a Way Huge Swollen Pickle pedal for bringing on the fuzz, and a Boss PS-6 Harmonist pitch shifter pedal. He pretty much uses whichever cables and tuners he can scrounge up; sometimes this tactic fails him.
  • Mason also play an Ibanez acoustic-electric guitar equipped with Fishman electronics for the softer tunes, and has also been known to play his Fender Resonator with a slide when the mood strikes him.
  • McGregor and his bass have been replaced by a computer.
  • I tend to sport a slew of different drums and cymbals depending on the occasion but I’ll start with the basics: my sticks.  I dig ProMark sticks, usually the 727′s, but sometimes the Jazz, 747, or 707′s. The Shira Kashi Oak feels good in my hands and gives me unparalleled durability.
  • When it comes to heads, I’m a mix ‘n’ match sorta guy. I love the Remo Black Suede Emperor on my toms and the Black Suede Ambassador on my snare. Bass drum, I’m an Evans lover. I’ve used the EMAD and I just can’t find another head to match it.
  • Cymbal-wise I tend to enjoy myself a little too much. I have some Sabian 13″ AA Fusion Hats, a 10″ AA China Splash, and an 18″ AA Stage Crash.  I also dig some of the lesser known brands of cymbals like Stagg.  I have a 15″ SH Thin Crash, a 20″ Furia Rock Ride, and an18″ SH China.  The “big momma” of my collection is a massive vintage 24″ Zildjian Ride from the 1960′s (ish).
  • My snare drums range from 8 inch to 14 inch, depending on where I’m playing. I have an 8″ Pearl Firecracker Snare (really obnoxious) that doesn’t get out too much. The next would be a vintage Gretsch Chrome Over Brass snare from the 1960s. My personal snare of choice is a 13″x7″ (weird I know) hand made maple stave snare that was crafted for me by 1710 Percussion (www.1710percussion.com).  Check out the pictures of it, it’s pretty crazy looking.
  • I have two kits I usually use, again depending on the venue and my mood (mostly my mood).  I have a custom built kit (that I built) that is probably my favorite to play, but I also really dig my bright orange Mapex M-Birch Custom.
  • Some miscellaneous details to add: a Mapex Raptor Double Bass Pedal, Gibralter Hardware, a Toca Djembe (for acoustic gigs), a slew of darboukas/doumbeks, and a cajon.
  • Our most recent (and exciting) acquisition is an M-Audio Axiom 49 Midi Controller, which gives us the awesome ability to use Logic Pro’s massive sound-bank with greater ease and precision, even in a live setting.

So that’s our bragging list!  We have other stuff lying around, but this is the gear that’s going in to our album.

Lost Man Blog Launch!

As some may know, we are currently in the process of generating an actual album, entitled The Lost Man.  The album is a little less than half done at present, so listen to it and let us know what you think.

As we continue slaving away over a hot laptop to bring you the delicious stew that we like to pretend is music, we’ll be sure to post our insights, ideas, defeats, and small victories here in the Studio Blog.  Check back for updates!

OH MAN . . .

Finally, we’ve posted the videos on our website here. We’ve had them on youtube for a while, but neglected to make them accessible in any way, but now that’s fixed. Additionally, our website has a cool new sleek look thanks to my being tired of the whole black and gray thing.

In other news, James McGregor, our charismatic and gentlemanly bass guitar player, has officially left the band to seek his fortune elsewhere. While we wish him all the best, we are now seeking a new bass player to fill his massive shoes. See the contact page and drop us a line if you’re interested or know someone who might be.

In spite of this setback, we plan to be back on the scene with a few shows in the months ahead, possibly with a gig as soon as January 19th. Check back for updates!

Benefit Concert for Sam at the Keynote Cafe!

So, we’ve recieved the awful news that our dear friend Jill Sorrels’ son, Sam, was hit by a truck in California state.  He’s alive and seems to be doing relatively well, but he’s in a lot of pain and undergoing a great deal of reconstructive surgery.  At any rate, a great deal of our fellow Keynote Cafe connoseurs and musician friends have put together a benefit in Sam’s honor at the cafe in Jeanette (416 Clay Ave, Jeanette, PA).  The show will run from about two in the afternoon until midnight, tickets are ten dollars (you can email us if you need one–visit the “contact” page) and all proceeds benefit the Jill and her family.

Full information can be found here.  Do a good thing and get entertained at the same time!

You can visit the “upcoming events” page for a complete schedule.

In other news, we are preparing to release another track for The Lost Man, the album we seem to eternally be working on.  The track is about 90% complete and it should arrive in a day or two.  Moreover, our graduated-film-student buddy, Tim, filmed a show of ours back in July and the videos of that madness are forthcoming, as well.  Stay tuned!

–VTM

Thanks!

Hey all, we just wanted to thank all the fine people who came out to our show last Saturday.  We’ll have more information on our next performance and on how the complete Lost Man album is coming along soon!

Again, thanks to those who came out to support us!

There and Back Again: A Tale by VTM

NO GPS DEVICES WERE USED IN THE MAKING OF THIS ADVENTURE.

So, as promised we went on an epic adventure into the very heart of Bloomfield and charted our quest to help weary travelers follow in our steps.  The journey was filled with mayhem, chaos, epic battles, and foul magic, but somehow we made it home safe and carved a path into the depths of that dark place, making the roads safe again.

We set out from our home of Murrysville (Steve’s home, actually), but things quickly went awry when Steve and I were separated from our stalwart companion, the bassist Sir McGregor.  Steve and I navigated the treacherous parkway on our own, but we wisely decided to avoid the tunnels running beneath the dreaded Squirrel’s Hill.

“That’s where the squirrels set upon you,” I cautioned, “when you enter the deepest darkness of their lair.”

“Aye,” replied Steve, “nasty business, those vermin.”

McGregor, meanwhile, fathomed the treacherous depths by himself, hoping to catch up to us and offer his aid.  He braved the underbelly of the verminous mound singlehandedly, though the battle cost him precious time.

Steve and I continued into the civilized regions of the Squirrel’s Hill to stop for supplies and refreshments, and, seeing no sign of our bold bass player, pressed on alone.  The streets were bleak and foreign, and the scents of foods from far off lands filled the early evening air as we walked.  A man in the street stopped us, he was well dressed and carried with him a cup of coins in one hand and a bottle of fine liquor in the other.

“Adventurers,” he said by way of greeting.  “What brings you to this cursed land?”

“We seek supplies, sir,” I replied.

“As do we all,” he retorted coyly, like a viper.  “An offer gentleman: if you can answer this riddle I pose to you, I will guide you to a place where you can get your supplies.  If you answer wrong, you must put your coins in my cup.”

Steve and I glanced at each other.  We nodded.  “Ask your riddle,” Steve responded.

The man took a deep breath and said, “Paul’s height is six feet, he’s an assistant at a butcher’s shop, and wears size 9 shoes. What does he weigh?

Steve and I briefly huddled and discussed the problem amongst ourselves.

“Meat,” a voice called out from behind us.  We turned to see McGregor round a bend and come into view.

The man nodded.  “Correct.  I will take you to Uncle Sam’s.”

“No need,” replied McGregor.  “I know the way, the fine folks of that tavern are old friends of mine.”

And so they were.  The people of Uncle Sam’s recognized our friend on site and gave us supplies and a meal before sending us on our way.  “You’re doing God’s work, brave ones” they said by way of farewell, “Godspeed.”

We sat under the setting sun on the steps of a nearby temple and ate our meal of submarine sandwiches and French fries, which nourished our bodies and filled our bellies.  Under that very same setting sun we shoved off for Bloomfield, continuing our glorious quest.

It was nighttime by the time we arrived in Bloomfield, and we sojourned through the land until we found the place we sought: Howlers, the infamous café known to harbor coyotes.  We entered through its grand archway cautiously and found a room full of shady individual imbibing alcohol, some testing their accuracy with thrown weapons in the back.  A venerable old gorilla stood watch at the portal and stared at us menacingly.

“Passage into the coyote’s den costs five dollars,” he bellowed in a voice that was neither soft nor loud, but like an organ; filling the air without being overpowering.  We scraped together what coins we had and paid the beast and he granted us passage.

We continued inside and found a table near the back near the marksmen and ordered ourselves some drinks.  No sooner had we sat than an aging succubus appeared before McGregor, her charms dwindling but her charisma strong with drunkenness.

“Hello, young man,” she said to him, and she turned on the juke box and proceeded to gangster rap and dance for him.  McGregor, with the mental fortitude of a dead man, ignored her courting and stayed true to his goal.  The succubus would not give up so easily, however.  She continued her mental assault on McGregor, but another band of noble adventurers, who called themselves Triggers, rose to the challenge and fended off the seductress.

They were, however, too late.  The damage to McGregor’s sanity had already been done (if you’ve never seen a middle-aged succubus dance and rap, then you can’t fathom the mental strain it can have on your psyche).  McGregor was fading fast, so we had only one option, as Triggers made known to us: take him to Action Camp, whose technological music sorcery could restore his mind.

With only seconds to spare, we took our ailing friend before Action Camp, and they pumped his mind full of great music until he regained his mind.  With our friend restored, we set off to return home from this dark land of ancient and foul magic, and made it home, by the grace of God, with no incident.

All this we have done to ensure your safe passage to our show Saturday night at nine at Howler’s Coyote Café in Bloomfield.  We learned two important things you may need to know:  1) Parking is available on the streets around the café, and also in the lot near the Shurfine next door.  2) Bring CASH.  In addition to it being king, it is also the only means by which to pay for anything.  There is an ATM in the bar, but it has a $2.00 fee for withdrawals.

SEE YOU ALL THEN!